PA02
rOTTS
fi
1
1
1
1
9
IB
1
1
J
1
1
111
till
J
111
J
Kfcl
tl;C44UI
111
ill
UBil
II
1
II
111
J
UilE
lit
HUB
iaisUflTft
Ixi
isUff
i
HI
1
1
II
B
I
H
41
1
MlirtHillillltl
Mi
1
1
1
1
I
T'IKMM
Ki
Klfl
IHB1B
11
IS
fQlfe
rfBlg
f
,
i
1
A
'
J
,
'
I
'
M'
"
Taning
in
on
fne
Latest
SPRING
Broadcast
of
Season's
Fashions
From
Paris
Station
P-A-R-I-S
Is
already
broadcasting
rvewt
of
what
we
will
be
wearing
when
the
first
robin
puts
In
his
appearand.
So
draw
your
chain
up
close
.
.
.
and
I'll
be
(he
foud
speaker
that
lets
you
in
on
the
secrets
of
spring
costuming.
The
theme
song
tnts
year
seems
to
be
the
scarf
neckline
.
.
.
on
both
coats
and
frocks.
Scarfs
that
tie
.
.
.scarfs
that
loop
.
.
scarfs
that
twine
.
.
.
scarfs
that
can
be
worn
in
a
doeen
different
ways.
They
add
enchanting
variety
to
the
new
spring
costumes,
I
am
sure
you
will
agree
when
you
see
them.
Capes
find
themselves
favored
when
used
on
dresses
...
but
spring
coats
absolutely
turn
a
cold
shoulder
on
them.
Revers
are
good
on
both
coats
and
dresses.
Scallops,'
both
round
and
square,
appear
as
a
smartly
Intricate
detail
on
tunics,
peplums,
Eton
jackets
...
all
of
which
are
returned
to
us
In
new
versions.
Hand-stitehlngs
.
.
.
simple
In
design
.
.
.
show
themselves
as
a
new
point
of
Interest.
Plain
weaves
are"
smarter
than
prints
...
but
the
latter
will
rjjt
allow
themselves
to
be
forgotten.
For
print
are
as
inevitable
as
the
income
tax
when
spring
comes
around
again.
There
Is
a
decided
fade-out
of
the
too-high
waistline
...
In
favor
of
the
One
most
flattering
to
the
individual
in
question.
Neither
art'
waistlines
in
general
as
well
defined
as
they
were
last
season.
All
of
which,
I
admit,
is
detail
rather
than
news
of
a
great
revolution
In
fashion
I
But
we
haven't
gotten
over
the
last
style
revolution
yet!
The
Costume
With
Two
Jackets
Two
Jackets
are
better
than
one
In
the
opinion
of
several
of
the
designers
.
.
.
and
they
are
showing
new
spring
costumes
with
both
a
hip-length
Jacket
.
.
.
and
a
very
swanky
Eton.
This
gives
several
costume
effects
for
the
price
of
one.
The
longer
Jacket
usually
agrees
with
the
principal
color
of
the
frock
.
.
.
while
the
shorter
one
Is
made
of
the
same
color
as
the
yoke
or
other
trimmings
on
the
dress.
Sometime
you
wear
one
of
them
.
.
.
sbmellmea
the
othe
.
.
,
and,
In
case
of
chilly
weather,
you
may
don
bolfy,
the
contrasting
edge
of
the
Eton
Jacket
giving
a
smart
effect.
The
separate
box
Jacket
(meticulously
tailored,
oj
course,
and
cut
rather
short
promises
to
replace
the
cardigan
In
spectator
or
active
sports
clothes.
On
suits,
cut-away
Jacket
appear
...
and
they,
to
are,jnedjp
be
short.
The
col$r?
less
theme
Jn
botfr'JocT&W
anoVcoats'Jsli
ncW
fafhlop,
It
Is,
saved
fronrseverity
bpletnliras
tiejjklines
cuWin
polnied
scallops'
.
.
.
or
a
pointed
Ifctitched
band
may
form
the
edge
of
the
neckline
...
or
the
frill
of
a
blouse
or
frock
may
be
worn
outside.
Often,
too.
a
scarf
of
the
same
material
Is
added
.
.
.
providing
a
graceful
way
to
make
the
collar-less
line
more
becoming
to
the
wearer.
By
Lelitia
Chaffee
1
it
r
Early
Harbineers
of
New"
.
SpringHats
lit
mow
that
the
"school
girl
complexion"
w
ntmfed
io.aoq.uiro
for
the
off-the-face
winter
hate
will
be
C
iVfaift&efti
IhVsprtng.
too.
For
the
new
season
hat
continue
to
perch
on
the
back
of
the
head
.
.
.
reveah
the
entire
fat.
Faille
ribbon
is
a
favored
fabric
for
spring
hat
.
.
.
senwtim
metaltMd
with
gold
thread
...
and
often
in
two
or
more
color
tone,
such
a
brown
and
beige
shading
Into
golden
yellow
Satin
ribbon,
too,
is
good
.
.
.
often
wtth
a
mote
reverse
side
used
to
give
contrast
straw
is
assured
anrtMwaiorpofHilamy
.
..jper
straws
tpanamas
and
rouoh
weaves)
being
particularly
favored.
In
general,
coarser
.weave
take
precedence
on
the
straws.
Veil
appear
frequently
...
at
do
small
feather
and
flower
trimmings,
)
v
,.,..
Color
Parade
Blue
Leads
the
Spring
jfcrt
ii
sinflng
the
blues
vociferously
this
spring.
Qurdmn
blue
tan
animated
shade
lighter
than
navy)
and
admiralty
blue
(a
true
navy
tone)
are
the
new
shade
that
will
be
sen
hi
suits,
coats
and
frecMs.
Bfftwn
to
setrntd
only
to
blue
.
.
.
the
new
tones
being
sea
ton,
burmatan
and
ring,
alee,
the
tatter
a
particularly
pleasing
light
spring
brown.
Ptetaahlon
and
ehukker
green
are
mentioned
by
some
of
the
leading
Paris
houses,
as
is
sky
gray
Clack
lose
some
of
its
Importance,
as
I
to
be
expected
after
two
season
of
popularity.
,
,
It's
Smart
to
Be
Scotch
"Sajr
SeotSr
plaids
.
.
they're
back
for
daytime'
wearl
First
they
found
their
way
Into
southwtjrd
bourtf
trunk
...
in
the
arm
of
smart
cotton
frocfes
fo
spectator
sport
--and
even
afternoon
wear.
Now
'
we
find
-woolens
taking
up
the
."Annie
Laurie"
theme
for
street
and
sports
suit.
Checks,
tocy
are
good
...
m
both
large
and
mall
varieties
.
.
.
m
sevasal
colors
or
twi
.tones,
stripes
are
W'ir&7av6red.
too.
iAn
WWrm
PM
How
rtr,,ie
en
iMew
woolen.
eotfohjlllks.
Th
range
frprairtJnejtrljviaryLicje
oneJr
Sometimes
Mlv
Mm
for
the
costume
itself
.
.
.
sometime
merely
for
the
border.
Dresse.
suit,
and
even
pajamft
yield
to
the
Aripe
vogue
.
.
.
which,
incidentally,
was
a
feature
of
the
Dlreetoire
period
from
which
we,
have
done
bo
much
style
borrowing
recently.
1""""i8"
um
wmn
mtm
mm
i;s
m
vmm
tntumtrnm
mtm
m
ansmxm
torn
u
4"
.
IV
l
iBl.
I
-
sV
I
I
i
'
i
rl
I
PJE
"M
4
Pit
IK
ft
tJtf
"
IMF;
,-
ii
ai
IBM'-
'
II
i
Fi
i
ii
ri
Ii
.-IK
mi